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The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
TASCAM used Hi8 tapes to develop an 8-track professional digital audio format called DTRS (Digital Tape Recording System). The format was first used in the DA-88 and similar models. [19] While the cassettes are physically interchangeable, these recordings are not interchangeable with 8mm video formats.
From the 1950s until the advent of digital recording in the late 1970s, the mastering process typically went through several stages. Once the studio recording on multi-track tape was complete, a final mix was prepared and dubbed down to the master tape, usually either a single-track mono or two-track stereo tape. Prior to the cutting of the ...
Lightpipe was designed for use with the Alesis ADATs, and although extremely versatile, there are a few limitations. For straightforward digital audio transfer, the receiving device can synchronize to the lightpipe's embedded clock signal, achieving a 1:1 digital copy. For transport control, additional synchronization is needed between devices.
Digital Tape Recording System (DTRS) is a signal recording and playback medium developed by TASCAM, a division of the TEAC Corporation, that was stored on Hi8 video cassettes. It allowed up to 108 minutes of continuous digital multitrack recording on a single tape.
Of the eight tracks, six were data, one was for parity, and one was a clock, or timing track. Making allowances for the empty space between tape blocks, the actual transfer rate was around 7,200 characters per second. A small reel of mylar tape provided separation between the metal tape and the read/write head. [9]
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