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To define their music, Pere Ubu coined the term avant-garage to reflect interest in both experimental avant-garde music, especially musique concrète, and raw, direct blues-influenced garage rock. Thomas has stated the term is "a joke invented to have something to give journalists when they yelp for a neat sound bite or pigeonhole". [31]
Trouser Press wrote that "Fier’s lighter, jazzier playing sets the tone for an album that, for all its Euro-prog iconoclasm, never quite ignites." [12] The Spin Alternative Record Guide called Song of the Bailing Man "more of a bouncy pop record, though Thomas is as gone as ever."
It should only contain pages that are Pere Ubu songs or lists of Pere Ubu songs, as well as subcategories containing those things (themselves set categories). Topics about Pere Ubu songs in general should be placed in relevant topic categories .
Record Collector wrote that the album "scrapes up enough sporadic excellence to justify David Thomas’ perseverance in the 21st-century scheme of things." [10] Greil Marcus, in The Believer, thought that the lead track "Golden Surf II" "shoots out like a flood, and then you can ride the wave of transmorgrification that sweeps over the whole album."
"30 Seconds Over Tokyo" is the debut single by American post-punk band Pere Ubu. Written by band members David Thomas, Peter Laughner, and Gene O'Connor during their stint with Pere Ubu's predecessor Rocket from the Tombs, it was released on Thomas' independent Hearthan Records in 1975. The song received very little airplay at the time but has ...
Worlds in Collision is the eighth album by American rock group Pere Ubu.The album continues in the shift away from their more experimental early work to emphasize the relatively conventional pop found on their previous studio album, Cloudland.