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"The Winner Takes It All" is a song recorded by Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper (1980), it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track "Elaine". The song peaked at No.1 in several countries ...
A chord is several notes sounded simultaneously. Two-note chords are called dyads, three-note chords built by using the interval of a third are called triads. Arpeggiated chord A chord with notes played in rapid succession, usually ascending, each note being sustained as the others are played. It is also called a broken chord, a rolled chord ...
The construction of chords by superimposing fourths can lead to a chord that contains all the twelve notes of the chromatic scale; hence, such construction does manifest a possibility for dealing systematically with those harmonic phenomena that already exist in the works of some of us: seven, eight, nine, ten, eleven, and twelve-part chords ...
Debuting at number two and spending 11 weeks on the UK chart, the song established Steps's intention to revive the ABBA sound, striking a considerable resemblance to their 1980 hit "The Winner Takes It All". A remixed version became their debut US single in 1999 and was featured on the Drive Me Crazy film soundtrack.
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In addition, there are various solmization systems (including solfeggio, sargam, and numerical sight-singing) that assign specific syllables to different notes of the scale. Among other things, this makes it easier to hear how intervals sound in different contexts, such as starting on different notes of the same scale.