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List of compositions by Django Reinhardt, the Belgian-born Romani-French jazz guitarist and composer. He was the first major jazz talent to emerge from Europe and remains the most significant. He was the first major jazz talent to emerge from Europe and remains the most significant.
Reinhardt was born on 23 January 1910 in Liberchies, Pont-à-Celles, Belgium, [12] into a French family [8] of Manouche Romani descent. [12] His French, Alsatian father, Jean Eugene Weiss, domiciled in Paris with his wife, went by Jean-Baptiste Reinhardt, his wife's surname, to avoid French military conscription. [13]
Djangology is a compilation album by Django Reinhardt and Stephane Grappelli, released in 1961.. In 1949, Reinhardt and Grappelli reunited for a brief tour of Italy.While they were there, they recorded about 50 tunes with an Italian rhythm section, and although they did not know it at the time, these sessions would mark the last time the Gypsy guitarist and the French violinist recorded together.
The group began its recording career in September 1934, releasing two titles on the Odeon label under the name "Delaunay’s Jazz". A December 1934 session produced the first recordings released under the name "Django Reinhardt et le Quintette du Hot Club de France, avec Stéphane Grappelly" (with Django's name misspelled as "Djungo").
Nuages" (French pronunciation:) is one of the best-known compositions by Django Reinhardt. He recorded at least thirteen [ 1 ] versions of the tune, which is a jazz standard and a mainstay of the gypsy swing repertoire.
Biographer Charles Delaunay has compiled the following list of recordings that Django Reinhardt was a part of: [5]. Paris, 25 November 1937: Django Reinhardt, guitar; Stéphane Grappelli, violin; Joseph Reinhardt & Eugène Vées, rhythm guitars; Louis Vola, double bass
(Top) 1 Song facts. ... also uses three songs of jazz guitarist Django Reinhardt. ... The melody of the songs "This Is a Film" and "In the Deathcar" is a variation of ...
The French gypsy jazz guitarist Django Reinhardt had little influence on him, but Christian was obviously familiar with some of his recordings. [25] The guitarist Mary Osborne recalled hearing him play Django's solo on "St. Louis Blues" note for note, but then following it with his own ideas. [25]