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Deus ex machina in Euripides' Medea, performed in 2009 in Syracuse, Italy; the sun god sends a golden chariot to rescue Medea.. Deus ex machina (/ ˌ d eɪ ə s ɛ k s ˈ m æ k ɪ n ə, ˈ m ɑː k-/ DAY-əs ex-MA(H)K-in-ə, [1] Latin: [ˈdɛ.ʊs ɛks ˈmaːkʰɪnaː]; plural: dei ex machina; 'God from the machine') [2] [3] is a plot device whereby a seemingly unsolvable problem in a story is ...
Deus Ex Machina was Automata's most ambitious project; an attempt at an "epic computer movie". Published in 1984, it was a multi-stage game based on Shakespeare 's " The Seven Ages of Man ". It included a synchronised music sound-track with voice-over talent from Ian Dury , Jon Pertwee , Donna Bailey, Frankie Howerd , and Mel Croucher himself.
My Name Is Uncle Groucho, You Win A Fat Cigar), and the groundbreaking [6] "multi-media" title Deus Ex Machina (1984). Croucher has championed immersive entertainment throughout his career as director and producer, mixing audio, video, spoken word, real-world locations and computer-generated effects.
I, Human is the second full-length album by Singaporean death metal band, Deus Ex Machina, and the first to feature a permanent vocalist, giving it more uniformity in contrast to The War Inside, which had a different singer for each track. [1]
Deus Ex is a series of cyberpunk role-playing video games, set during the mid 21st century.Focusing on the conflict between secretive factions who wish to control the world by proxy, and the effects of transhumanistic attitudes and technologies in a dystopian near-future setting, the series also includes references to real-world conspiracy theories, historical mythologies and philosophies, and ...
Nec deus intersit, nisi dignus vindice nodus (inciderit) That a god not intervene, unless a knot show up that be worthy of such an untangler "When the miraculous power of God is necessary, let it be resorted to: when it is not necessary, let the ordinary means be used." From Horace's Ars Poetica as a caution against deus ex machina.
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The Latin phrase "deus ex machina" has its origins in the conventions of Greek tragedy, and refers to situations in which a mechane (crane) was used to lower actors playing a god or gods onto the stage at the end of a play. The Greek tragedian Euripides is notorious for using this plot device as a means to resolve a hopeless situation.