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African wax prints, Dutch wax prints [1] [2] or Ankara, [3] are a type of common material for clothing in West Africa. They were introduced to West Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian batik designs. [4] They began to adapt their designs and colours to suit the tastes of the African ...
For example, Ugandan men have started to wear "full length trousers and long-sleeved shirts". On the other hand, women have started to adapt influences from "19th-century Victorian dress". These styles include: "long sleeves and puffed shoulders, a full skirt, and commonly a colorful bow tied around the waist".
This style is called a dashiki suit or dashiki trouser set and it is the attire worn by most grooms during wedding ceremonies. The second version consists of an ankle-length shirt, matching kufi, and sokoto and is called a Senegalese kaftan. The third type consists of a dashiki and matching trousers. A flowing gown is worn over these.
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The dress and coat combination created an overall effect of sensibility, modesty and girl next door lifestyle that contrasted the very popular, second-skin like style of the bias-cut evening gown. [29] Women wearing snoods in a factory Women's fashion in vacation in Lake Balaton in Hungary (1939).
From the 1550s, middle- and upper-class European women could choose between the still popular rigid farthingale style or a looser-style gown known as a ropa. [ 19 ] [ 20 ] The ropa style of dress was known by different names throughout Europe, including sumarra (Italy), marlotte (France), and vlieger (Holland). [ 19 ]