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When mixing a song, its vocal track was routed from the recording head of the multitrack tape, located before the playback head, and fed to the record head of the second tape recorder. An oscillator was used to vary the speed of the second machine, providing variation in delay and pitch depending on the change in the second machine speed.
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording .
A long, wavering, high-pitched vocal sound resembling a howl with a trilling quality. It is produced by emitting a high-pitched loud voice accompanied with a rapid back-and-forth movement of the tongue and the uvula. Ululation is practiced in certain styles of singing, as well as in communal ritual events, used to express strong emotion.
Audio example of double tracking with 3 guitar parts with drums and bass. Double tracking or doubling is an audio recording technique in which a performer sings or plays along with their own prerecorded performance, usually to produce a stronger or bigger sound than can be obtained with a single voice or instrument.
T-Pain, the R&B singer and rapper who reintroduced the use of Auto-Tune as a vocal effect in pop music with his album Rappa Ternt Sanga in 2005, said, "My dad always told me that anyone's voice is just another instrument added to the music. There was a time when people had seven-minute songs, and five minutes were just straight instrumental. ...
Overdubbing (also known as layering) [1] is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. [2]