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Poetry, newspapers, and songs were commonly used to try and increase enthusiasm and support for the abolitionist movement. [10] In addition, some enslaved people published slave narratives which documented and spoke out about their firsthand experiences of being enslaved.
Most of the works are from the period between 1760 and 1810, reflecting growth in public awareness about slavery. [1] Most of the poetry is antislavery, with a few exceptions including verse by John Saffin and James Boswell, who defended slavery as an institution. [1] Published in 2002 by Yale University Press, a revised edition was released in ...
Poems on Slavery is a collection of poems by American poet Henry Wadsworth Longfellow in support of the United States anti-slavery efforts. With one exception, the collection of poems were written at sea by Longfellow in October 1842. [1] The poems were reprinted as anti-slavery tracts two different times during 1843.
The first periodical anti-slavery publication for young readers in the United States was The Slave's Friend, [12] with 36 issues published between 1836 and 1838 by the American Anti-Slavery Society. The publication regularly featured woodblock prints [ 13 ] that included images of violence perpetrated against slaves by white slave owners, young ...
Frederick Douglass was an escaped slave and abolitionist author. In his 19th-century autobiography, Narrative of the Life of Frederick Douglass, an American Slave (1845), Douglass gives examples of how the songs sung by slaves had multiple meanings. His examples are sometimes quoted to support the claim of coded slave songs.
The poem was recited in the film August 28: A Day in the Life of a People, which debuted at the opening of the Smithsonian's National Museum of African American History and Culture in 2016. [14] [15] [16] Eric Robert Taylor wrote a book about insurrections during the Atlantic slave trade and titled it If We Must Die after the poem. [17]
Women showed resistance in different, but significant ways compared to men due to different expectations. [34] For example, there were less women who would runaway due to the responsibilities as mothers and primary caretakers of their home. [35] Religion was utilised by enslaved African American women as a framework for resistance.
The poem was immediately successful, both critically and among readers, in part by invoking the country's past as a way to remind people of the present day to strive to be on the right side of history. [5] It rapidly became an anthem of the antislavery movement and was quoted by antislavery leaders such as William Lloyd Garrison and others. [3]