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For example, a cartridge containing a 3 or 3 + 1 ⁄ 2-dram load of black powder was a common hunting field load, and a heavy full-power load would have contained about a 4 to 4 + 1 ⁄ 2-dram load, whereas a cartridge containing only a 2-dram load of black powder was a common target practice load. A hunter looking for a field or full-power ...
Beethoven, Piano Concerto No. 1, cadenzas to first and third movements (1954–56) Handel, Prelude from Harpsichord Suite No. 1, arrangement of (1972) Wagner, three transcriptions for piano (1972–73): Siegfried Idyll; Prelude to Act I of Die Meistersinger von Nürnberg; Dawn and Siegfried's Rhine Journey from Götterdämmerung
Quartets 4 X 4 is a 1980 album by jazz pianist McCoy Tyner, released on the Milestone label. It was recorded in March and May 1980 by Tyner with bassist Cecil McBee and drummer Al Foster and featuring trumpeter Freddie Hubbard, guitarist John Abercrombie (here playing mandolin), vibraphonist Bobby Hutcherson and alto saxophonist Arthur Blythe, each for one side of the original double LP.
Second Genesis is the second album by jazz saxophonist Wayne Shorter recorded by the Vee-Jay label in 1960 but not released until 1974. [ 4 ] [ 5 ] It was his second session as leader, performing with his Jazz Messengers boss Art Blakey on drums, pianist Cedar Walton and bassist Bob Cranshaw .
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Wayning Moments is the third album by saxophonist Wayne Shorter (and his final album for Vee-Jay Records), showcasing Wayne playing hard bop with trumpeter Freddie Hubbard, pianist Eddie Higgins, bassist Jymie Merritt and drummer Marshall Thompson.
Illiac Suite (later retitled String Quartet No. 4) [1] is a 1957 composition for string quartet which is generally agreed to be the first score composed by an electronic computer. [2]
Note that works for piano solo (or, for example, cello solo) are in the solo instrumental category, however, works for 2 or more pianos (2 or more cellos, etc.) are in the chamber category. Many pieces by Feldman are titled after the instruments used: for example, Two Pieces for Clarinet and String Quartet is scored precisely for clarinet and ...