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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
Pyotr Ilyich Tchaikovsky's Piano Concerto No. 3 in E-flat major was at first conceived by him as a symphony in the same key. But he abandoned that idea, jetisoned all but the planned first movement, and reworked this in 1893 as a one-movement Allegro brillante for piano and orchestra.
It was virtually unknown until 1989. It was identified and assembled from multiple sources by Jay Rosenblatt, a doctoral candidate at the University of Chicago.Parts of the score were located in Weimar, Nuremberg and Leningrad, and, to the extent they were known at all, it had been assumed they were early drafts of Liszt's Piano Concerto No. 1, also in E-flat major.
[3] E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become ...
For instance, in example one above (C 7 ♯ 9) the triad of E ♭ major is a (compound) minor 3rd away from C (root of the bottom chord). Thus, this upper structure can be called upper structure flat three, or US ♭ III for short. Other possible upper structures are: USII – e.g. D major over C 7, resulting in C 13 ♯ 11
The first person to record the Piano Concerto in E-flat was Eileen Joyce, in 1942, with the Hallé Orchestra under Leslie Heward. She was also the soloist when the concerto was played at a special Proms concert in 1949, to celebrate Ireland's 70th birthday (this performance was also recorded, and released commercially).
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
The first chord of the first movement, which consists of four pitches, E, F ♯, A, and B, is relatively tonal, especially when compared to the first chord of Piano Concerto No. 1. The chord develops further with the addition of C ♯ in the second bar, resulting in the pentatonic, which is followed with G ♯, leaving a major scale short of D ...