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Name City Country Designed Completed Other Information Image Plateau Beaubourg: Paris: France: 1971: Baillais Printing House: Paris: France: 1971: 1972: Delbigot Residence
The Musée du Quai Branly – Jacques Chirac (French pronunciation: [myze dy ke bʁɑ̃li ʒak ʃiʁak]; English: Jacques Chirac Museum of Branly Quay), located in Paris, France, is a museum designed by French architect Jean Nouvel to feature the indigenous art and cultures of Africa, Asia, Oceania, and the Americas. The museum collection ...
Jean Nouvel (French: [ʒɑ̃ nuvɛl]; born 12 August 1945) is a French architect. Nouvel studied at the École des Beaux-Arts in Paris and was a founding member of Mars 1976 and Syndicat de l'Architecture , France’s first labor union for architects.
Painting Andrea Mantegna: An Old Man and his Grandson: Painting Domenico Ghirlandaio: Pastoral Concert: Painting Titian: Madonna of the Rabbit: Painting Titian: Woman with a Mirror: Painting Titian: Venus and Cupid with a Satyr: Painting Antonio da Correggio: Susanna and the Elders: Painting Tintoretto: La Bella Nani: Painting Paolo Veronese ...
Most artists in the collection are represented with only one or two works, but some artists are represented with many many more; for example artists with over 50 works catalogued are Théodore Chassériau, Jean-Baptiste Camille Corot, Eugène Delacroix, Jean-Auguste-Dominique Ingres, Eustache Le Sueur, Peter Paul Rubens, and Pierre-Henri de ...
The slaves depicted sometimes vary in skin color (as in The Slave Market of 1871); in all cases a woman or women are for sale, with men as buyers or sellers, but in the background of The Slave Market buyers can be seen inspecting a nude, dark-skinned male, and in the background of Slave Market in Ancient Rome (c. 1884) two enslaved males, one ...
The vagina represents a powerful symbol as the yoni in Hindu thought. Pictured is a stone yoni found in Cát Tiên sanctuary, Lam Dong, Vietnam.. Various perceptions of the vagina have existed throughout history, including the belief that it is the center of sexual desire, a metaphor for life via birth, inferior to the penis, visually unappealing, inherently unpleasant to smell, or otherwise ...
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."