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In the Hyakki Yagyo Emaki from the Muromachi period, yōkai that appeared as umbrellas could be seen, but in this emaki, it was a humanoid yōkai that merely had an umbrella on its head and thus had a different appearance than that resembling a kasa-obake. [7] The kasa-obake that took on an appearance with one eye and one foot was seen from the ...
The piano then introduces new material in C major and begins transitioning to the dominant key of G major. Immediately after an orchestral cadence finally announces the arrival of the dominant, the music abruptly shifts to G minor in a passage that foreshadows the main theme of the Symphony No. 40 in that key. [4]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Kamaitachi" (窮奇) from the "Gazu Hyakki Yagyō by Toriyama Sekien "Kamaitachi" (鎌鼬) from the Kyōka Hyaku Monogatari by Masasumi RyūkansaijinKamaitachi (鎌鼬) is a Japanese yōkai from the oral tradition of the Kōshin'etsu region.
Due to the influence of a large number of Hawaiians with Japanese ancestry, on the islands of Hawaii the term obake has found its way into the dialect of the local people. . Some Japanese stories concerning these creatures have found their way into local culture in Hawaii: numerous sightings of kappa have been reported on the islands, and the Japanese faceless ghosts called noppera-bō have ...
In the Konjaku Gazu Zoku Hyakki it wears a Japanese umbrella with its central pole missing, and it is depicted possessing a paper lantern. In the explanatory text, it says, "speaking of the rain god Ushi, there is the amefurikozō, who works as its jidō (雨のかみを雨師（ushi）といふ 雨ふり小僧といへるものは めしつかはるる侍童（jidō）にや)", stating that ...