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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
Jean-Léon Gérôme, The Snake Charmer, c. 1879. Clark Art Institute.. In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects of the Eastern world (or "Orient") by writers, designers, and artists from the Western world.
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Chinese embroidery has a long history since the Neolithic age. Because of the quality of silk fibre, most Chinese fine embroideries are made in silk.
Islamic tin-glazed earthenware, with blue and white decoration, Iraq, 9th century.The Arabic calligraphy is ghibta, i.e. "happiness". [3]Blue glazes were first developed by ancient Mesopotamians to imitate lapis lazuli, which was a highly prized stone.
Turquerie (anglicized as "Turkery"), or Turquoiserie, [1] was the Turkish fashion in Western Europe from the 16th to 18th centuries for imitating aspects of Ottoman art and culture. Many different Western European countries were fascinated by the exotic and relatively unknown culture of the Ottoman ruling class, which was the center of the ...
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]