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The bass clarinet has been regularly used in scoring for orchestra and concert band since the mid-19th century, becoming more common during the middle and latter part of the 20th century. [6] A bass clarinet is not always called for in orchestra music, but is almost always called for in concert band music.
In 2000 clarinetist and entrepreneur Morrie Backun opened a small repair shop for woodwind instruments with two employees. After having been commissioned by J. Wesley (Wes) Foster, Principal Clarinet of the Vancouver Symphony Orchestra to overhaul one of his clarinets, Backun was unable to complete the project, as the original barrel of the instrument was missing.
Cork grease also acts as a preservative, keeping the wooden cork moist and thick, in turn ensuring a good seal between parts of the instrument so that no air may leak through the joints upon playing. Cork grease can help woodwind players adjust their instruments' tuning pieces (e.g. barrels, necks, bocals, staples) in respect to their pitch. [1]
Ballads for Bass Clarinet was released by DIW Records. [1] The AllMusic review awarded the album 3 stars. [ 2 ] The Penguin Guide to Jazz commented on the similarity between Murray's phrasing on bass clarinet and on tenor saxophone.
The contra-alto clarinet is higher-pitched than the contrabass and is pitched in the key of E ♭ rather than B ♭.The unhyphenated form "contra alto clarinet" is also sometimes used, as is "contralto clarinet", but the latter is confusing since the instrument's range is much lower than the contralto vocal range; the more correct term "contra-alto" is meant to convey, by analogy with ...
In addition to clarinet, he sometimes played alto saxophone and baritone saxophone. [11] His first recording pressed to disc (Victor 20394) occurred on December 9, 1926, in Chicago. The session resulted in the song "When I First Met Mary", which also included Glenn Miller , Harry Goodman, and Ben Pollack. [ 14 ]
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