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Tosca is the most Wagnerian of Puccini's operas, with its frequent use of leitmotif. [59] 1901 Rusalka (Antonín Dvořák). Dvořák's most successful opera with international audiences, based on a folk tale about a water sprite. [154] 1902 Adriana Lecouvreur (Francesco Cilea). Unique among Cilea's operas in that it has remained in the ...
His opera Europa riconosciuta was composed for the inauguration of La Scala. Among his other most successful operas were Les Danaïdes, Axur, re d'Ormus (the Italian version of French Tarare) and Falstaff. Luigi Cherubini (1760–1842) Follower of Gluck, Cherubini's most famous opera is Médée.
The principal characteristics of Venetian opera were (1) more emphasis on formal arias; (2) the beginning of bel canto ("beautiful singing") style, and more attention to vocal elegance than to dramatic expression; (3) less use of choral and orchestral music; (4) complex and improbable plots; (5) elaborate stage machinery; and (6) short ...
Visions of Love – Mozart Arias, Decca 1996; Schubert Lieder, Decca 1997; Signatures – Great Opera Scenes, arias by Mozart, Verdi, Britten, Strauss, with Sir Georg Solti, Decca 1997; Elijah (Mendelssohn), Decca 1997; Rusalka (1997) A Streetcar Named Desire (1997) The Beautiful Voice, Decca 1998; I Want Magic American Opera Arias, Decca 1998
In 1920, the stage performer Al Jolson, together with Buddy DeSylva and Vincent Rose, wrote a popular song, "Avalon", about the town of the same name on Santa Catalina island. The following year, G. Ricordi, the publisher of Puccini's operas, sued all parties associated with the song, arguing that the melody was lifted from "E lucevan le stelle ...
It features arias from Carmen, Werther, I Capuleti e i Montecchi, La Cenerentola, The Barber of Seville; Daniele Rustioni conducting the Royal Philharmonic Orchestra. [8] In a five star review in The Guardian , Erica Jeal wrote "Her debut solo recording perfectly showcases the glowing expansiveness, swagger and breathtaking poise of Akhmetshina ...
The list includes composers' principal operas and those of historical importance in the development of the art form. It covers the full historical period from the birth of opera in the late 16th century to the present day, and includes all forms of opera from light music to more formal styles.
Alexander the Great who appears as a character in over seventy operas, including two by George Frideric Handel. This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases: