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  2. Everyone (Van Morrison song) - Wikipedia

    en.wikipedia.org/wiki/Everyone_(Van_Morrison_song)

    "Everyone" is the penultimate track on Van Morrison's 1970 album Moondance. The song is the fastest on the album. It is in 12/8 time and features more prominent acoustic guitar than other tracks on Moondance where the piano is the main instrument. A notable feature of the intro is a clavinet.

  3. Karl Haas - Wikipedia

    en.wikipedia.org/wiki/Karl_Haas

    He studied piano with Artur Schnabel. [1] [2] Faced with the rise of Nazism, the Jewish Haas fled Germany for the United States in 1936. [2] He first settled in Detroit, Michigan, then lived in other places, returning to Detroit near the end of his life. [1] [5] He and his wife, Trudie, had two sons and one daughter. [6] Trudie died in 1977. [1]

  4. Everything Everywhere All at Once (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Everything_Everywhere_All...

    Everything Everywhere All at Once (Original Motion Picture Soundtrack) is the soundtrack album to the 2022 film of the same name directed by the Daniels.The original score is composed by the band Son Lux.

  5. Everyone's Talking - Wikipedia

    en.wikipedia.org/wiki/Everyone's_Talking

    Everyone's Talking is a Canadian piano rock band formed in 2008 in Toronto. The group consists of Evan Kuhn (vocals, guitar) and Dani Rosenoer (vocals, piano). [ 1 ] Both members share the songwriting responsibilities.

  6. Fire charred two L.A. music utopias. Will they ever recover?

    www.aol.com/news/fire-charred-two-l-music...

    Playing Clearmountain’s Bösendorfer grand piano through his SSL mixing console connected an artist to music history — David Bowie, Roxy Music and Nile Rodgers sought out his mastery and his gear.

  7. Everybody Digs Bill Evans - Wikipedia

    en.wikipedia.org/wiki/Everybody_Digs_Bill_Evans

    Everybody Digs Bill Evans was Evans's second album as a leader and 30th recording project overall, [3] completed 27 months after his first record as a leader, New Jazz Conceptions; Orrin Keepnews had wanted Evans to record a follow-up album to his debut sooner, but the self-critical pianist "resolutely refused to consider himself ready for another effort on his own" before this album.