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A bronze plaque, mounted on a small stone from Kaimuki, remarks briefly on the duality of male and female spirit of the healers and provides a QR code for Kapaemahu.info, [24] which includes an augmented reality guided tour of the monument. [25] The contextualization of the site received local, national, and Hawaiian cultural news coverage. [26 ...
Buddhist ritual gong stand (華原磬, kagenkei) [48] In 734 placed in front of the Buddha in the Western Golden Hall; gong is fitted in a gilt bronze stand with a lion at the base and two dragons (male and female) at the top; gong had been lost and reproduced in the late 12th-early 13th century; stand is original Tang dynasty
French commode, by Gilles Joubert, circa 1735, made of oak and walnut, veneered with tulipwood, ebony, holly, other woods, gilt bronze and imitation marble, in the Museum of Fine Arts (Boston, United States) A British commode, circa 1772, marquetry of various woods, bronze and gilt-bronze mounts, overall: 95.9 × 145.1 × 51.9 cm, in the Metropolitan Museum of Art (New York City)
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Cabinet on Stand; Attributed to André-Charles Boulle (French, 1642–1732, master before 1666), and medallions after Jean Varin (French, 1596–1672); Paris, France; about 1675–1680; Oak veneered with pewter, brass, tortoise shell, horn, ebony, ivory, and wood marquetry; bronze mounts; figures of painted and gilded oak; with drawers of snakewood
Moore was commissioned in 1955 to create a sculpture for the piazza in front of UNESCO's new headquarters in Paris, designed by the architect Marcel Breuer.Early ideas included groups of standing or seated figures, such as Draped Reclining Woman 1957–58 and Draped Seated Woman 1957–58, but he settled on a single and more abstract reclining figure for the UNESCO commission.