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Soundcraft first made its mark by manufacturing the Series 1, the first mixing console built into a flight-case. [2] It was available with 12 or 16 input channels and 4 outputs—main stereo, plus a post-fader ‘echo’ send and pre-fader foldback. Each channel had four-band fixed-frequency EQ.
Graham Blyth (22 March 1948 – 22 October 2024) was an English audio engineer, known for designing mixing consoles.He co-founded Soundcraft, a manufacturer which Blyth helped form into a world leader in sound reinforcement and recording mixers, establishing the "British sound".
The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main left/right/mono outputs (see screenshot). In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input.
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals.
Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
Stem-mixing is a method of mixing audio material based on creating groups of audio tracks and processing them separately prior to combining them into a final master mix. Stems are also sometimes referred to as submixes, subgroups, or buses .
Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. [3] The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production.