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The system was established in 1988 [3] by American singing voice specialist Jo Estill, [4] who had been researching in this field since 1979. [ 5 ] [ 6 ] Estill's research led to a series of vocal manoeuvres to develop specific control over individual muscle groups within the vocal mechanism.
It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical ...
In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
Tahrir is a melismatic form in Persian classical singing that employs a vocal technique involving rapid glottal strokes over a series of notes. [1] It is considered "an ornament of the melodic line," consisting of one or more short frequency jumps—called tekye—towards higher pitches. [2] Tahrir is sometimes referred to as a form of yodeling ...
Vocal skills concern those motor skills that exploit the vocal apparatus in manner that requires special practice, teaching or learning and so uses them for the purpose usually of entertainment or speech therapy in a manner that goes beyond that with which they are most commonly used.