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Artist's view of a sacrifice to Moloch in Bible Pictures with brief descriptions by Charles Foster, 1897. Before 1935, all scholars held that Moloch was a pagan deity, [3] to whom child sacrifice was offered at the Jerusalem tophet. [4] Some modern scholars have proposed that Moloch may be the same god as Milcom, Adad-Milki, or an epithet for ...
In later Christian tradition, Moloch was often described as a demon. Moloch is depicted in John Milton's epic poem Paradise Lost as one of the greatest warriors of the rebel angels, vengeful and militant. In the 19th century, "Moloch" came to be used allegorically for any idol or cause requiring excessive sacrifice. [1]
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
Openclipart, also called Open Clip Art Library, is an online media repository of free-content vector clip art.The project hosts over 160,000 free graphics and has billed itself as "the largest community of artists making the best free original clipart for you to use for absolutely any reason".
An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
Many contemporary Chinese women artists have employed the use of female bodies as the subject of their artworks. From the ancient and imperial period of China until early the 19th century, women's body images in Chinese art were predominantly portrayed through male artists' lenses. As a result, female bodies were often misrepresented.
Modern girls were depicted as living in the cities, being financially and emotionally independent, choosing their own suitors, and apathetic towards politics. [3] The woman's magazine was a novelty at this time, and the modern girl was the model consumer, someone more often found in advertisements for cosmetics and fashion than in real life.
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...