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Baroque music (UK: / b ə ˈ r ɒ k / or US: / b ə ˈ r oʊ k /) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. [1] The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided ...
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe, oboe da caccia, oboe d'amore, flauto traverso, recorder, trumpet, horn, trombone, and timpani.
Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.
The timpani is considerably older than other melodic percussion instruments, such as the marimba and xylophone. [citation needed] Music historians trace the instrument's history to ancient times when the drums were used in religious ceremonies. During the 13th century, timpani began to be used in pairs and were called Nakers, or Nakirs.
Baroque music; List of classical music composers by era; List of composers by name; Women in Music; There is considerable overlap near the beginning and end of this era. See lists of composers for the previous and following eras: List of Renaissance composers; List of Classical era composers
A timpani concerto is piece of music written for timpani with orchestral or band accompaniment. It is usually in three parts or movements . The first timpani concertos were written in the Baroque and Classical periods of music.
Telemann's music was one of the driving forces behind the late Baroque and the early Classical styles. Starting in the 1710s he became one of the creators and foremost exponents of the so-called German mixed style, an amalgam of German, French, Italian and Polish styles. [ 6 ]
As the full title of the piece denotes, the piece is scored for a solo organ, timpani and a string orchestra.The piece uses such comparatively small forces, relative to Poulenc's other concertos (the Concert champêtre used a full orchestra as accompaniment), [5] so that the piece could be played in a quite small space with an organ, such as Princess Edmond's salon, that were quite popular in ...