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For example, C is adjacent to C ♯; the interval between them is a semitone. [ 6 ] In a 12-note approximately equally divided scale, any interval can be defined in terms of an appropriate number of semitones (e.g. a whole tone or major second is 2 semitones wide, a major third 4 semitones, and a perfect fifth 7 semitones).
A semitone is any interval between two adjacent notes in a chromatic scale, a whole tone is an interval spanning two semitones (for example, a major second), and a tritone is an interval spanning three tones, or six semitones (for example, an augmented fourth).
Jack Douthett and Richard Krantz introduced maximally even sets to the mathematics literature. [3] [4] A scale is said to have Myhill's property if every generic interval comes in two specific interval sizes, and a scale with Myhill's property is said to be a well-formed scale. [5] The diatonic collection is both a well-formed scale and is ...
For the ordinary diatonic scales described here, the T-s are tones and the s-s are semitones which are half, or approximately half the size of the tone.But in the more general regular diatonic tunings, the two steps can be of any relation within the range between T = 171.43 ¢ (for s = T at the high extreme) and T = 240 ¢ (for s = 0 at the low extreme) in musical cents (fifth, p5, between 685 ...
It is called minor because it is the smaller of the two: the major third spans an additional semitone. For example, the interval from A to C is a minor third, as the note C lies three semitones above A. Coincidentally, there are three staff positions from A to C. Diminished and augmented thirds span the same number of staff positions, but ...
Septimal chromatic semitone on C Play ⓘ. Septimal chromatic semitone + octave Play ⓘ. In music, a septimal chromatic semitone or minor semitone [1] is the interval 21:20 (Play ⓘ). It is about 84.47 cents. The septimal chromatic semitone may be derived from the harmonic series as the interval between the twentieth and twenty-first harmonics.
For example, when a semitone relationship is indicated between F and G, either by placing a mi-sign (♮) on F or a fa-sign (♭) on G, only the context can determine whether this means, in modern terms, F ♯-G or F-G ♭, or even F ♭ –G. The use of either the mi-sign on F or the fa-sign on G means only that "some kind of F goes to some ...
In classical music from Western culture, a diminished fourth (Play ⓘ) is an interval produced by narrowing a perfect fourth by a chromatic semitone. [ 1 ] [ 3 ] For example, the interval from C to F is a perfect fourth, five semitones wide, and both the intervals from C ♯ to F, and from C to F ♭ are diminished fourths, spanning four ...