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The group chose the name, "Small Faces", because of the members' small physical stature [15] and a "face" was somebody special; more than just a snappy dresser, he was someone in mod circles as a leader, someone to look up to. A face had the sharpest clothes, the best records and always was seen with the prettiest girl on his arm.
The poignancy of the image is dramatized by the contrast between the man's weathered and wise face, and the child's delicate profile. While the composition is thematically related to portraiture from the Netherlands, by the mid-15th century the motif of a portrait in an interior with a landscape seen in the distance was common in Italy. [1] [4]
A portrait photograph may be artistic or clinical. [1] Frequently, portraits are commissioned for special occasions, such as weddings, school events, or commercial purposes. [1] Portraits can serve many purposes, ranging from usage on a personal web site to display in the lobby of a business. [1]
Tin Soldier reached number nine in the UK Singles Chart and remains one of Small Faces' best known songs. Talking about the song, and the influence of his wife Jenny, Marriott stated: The meaning of the song is about getting into somebody's mind—not their body. It refers to a girl I used to talk to all the time and she really gave me a buzz.
"Sha-La-La-La-Lee" was the third single by English R&B-influenced group Small Faces, recorded in December 1965 and released on 28 January 1966, reaching number three in the UK Singles Chart. [1] It was also the first single by the group to feature Ian McLagan on keyboards.
The result was the series of portraits known as Faces I Have Met. In each one I was trying to free myself as far as I could of any negative emotion or from the tensions and strains and relationships that had surged all around. One has to free oneself of malice or resentment. So in a sense it was also a spiritual exercise in self-purging and ...
CMCSA earnings call for the period ending December 31, 2024.
Composite portraiture, Francis Galton, 1883. Composite portraiture (also known as composite photographs) is a technique invented by Sir Francis Galton in the 1880s after a suggestion by Herbert Spencer for registering photographs of human faces on the two eyes to create an "average" photograph of all those in the photographed group.