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In the 19th century, the madrigal was the best-known music from the Renaissance (15th–16th c.) consequent to the prolific publishing of sheet music in the 16th and 17th centuries, even before the rediscovery of the madrigals of the composer Palestrina (Giovanni Pierluigi da Palestrina). [6]
The music performed at a madrigal dinner is usually mixed choral music from the medieval to Renaissance periods. [1] Both popular and sacred songs from the Renaissance are common, although modern music with Renaissance or biblical texts can often be heard. Most selections are in English, Italian, German, or French.
The English Madrigal School was the intense flowering of the musical madrigal in England, mostly from 1588 to 1627, along with the composers who produced them. The English madrigals were a cappella, predominantly light in style, and generally began as either copies or direct translations of Italian models.
In secular music, especially in the madrigal, there was a trend towards complexity and even extreme chromaticism (as exemplified in madrigals of Luzzaschi, Marenzio, and Gesualdo). The term mannerism derives from art history.
English Renaissance music kept in touch with continental developments far more than visual art, and managed to survive the Reformation relatively successfully, though William Byrd (c.1539/40 or 1543 – 1623) and other major figures were Catholic. The Elizabethan madrigal was distinct from, but related to, the Italian tradition.
Title page of the madrigal comedy L'Amfiparnaso by Orazio Vecchi. In 1594 his madrigal comedy, L'Amfiparnaso, premiered in Modena and was published in 1597 in a lavishly illustrated edition. [1] That same year he visited Venice, where he published a collection of canzonette. In addition he published a huge amount of other music that same year ...
Thomas Morley (1557 – early October 1602) was an English composer, theorist, singer and organist of late Renaissance music.He was one of the foremost members of the English Madrigal School.
Renaissance music flourished in Europe during the 15th and 16th centuries. The second major period of Western classical music, the lives of Renaissance composers are much better known than earlier composers, with even letters surviving between composers. Renaissance music saw the introduction of written instrumental music, although vocal works ...