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A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
In Monteverdi's hands, according to music historian Donald Jay Grout, "the new form [of opera] passed out of the experimental stage, acquiring ... a power and depth of expression that makes his music dramas still living works after more than three hundred years". [1]
It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School. When selecting works for this book, Ledger decided to represent the major composers of 16th-century English music such as William Byrd and Thomas Morley with several madrigals, alongside individual works by lesser-known composers.
String Quartet No. 3 (1983) Sound and Echo (Schall und Hall) for trombone and organ (1983) String Trio (1985, also arranged as Piano Trio, 1992) – shares a theme with the Cello Concerto No. 1 from 1986; Quartet for piano and strings (1988) String Quartet No. 4 (1989) Madrigal in Memoriam Oleg Kagan for solo violin or cello (1990)
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
The citole was carved from a single block of wood and had a separate soundboard glued to the top. Everything else was a single piece of wood that included a neck, the sides, the bottom, shoulder points (or arms projecting from the sides), and a knob on the end opposite the neck.
The lira da braccio (or lyra de bracio [1]) was a European bowed string instrument of the Renaissance.It was used by Italian poet-musicians [2] in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry. [3]
The guitarra portuguesa is typically used to play the popular traditional music known as fado. In the early 1970s, using the guitarra and a 1930s archtop Martin guitar as models, English luthier Stefan Sobell created a "cittern", a hybrid instrument primarily used for playing folk music, which has proved to be popular with folk revival musicians.