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Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
Before the publication of Mary F. S. Hervey's Holbein's Ambassadors: The Picture and the Men in 1900, the identity of the two figures in the picture had long been a subject of intense debate. In 1890, Sidney Colvin was the first to propose the figure on the left as Jean de Dinteville , Seigneur of Polisy (1504–1555), French ambassador to the ...
Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
A portrait miniature of Melanchton, by Holbein, is in the Lower Saxony State Museum in Hanover, Germany; it is unlikely Holbein ever met him, so the miniature is probably based on pictures by other artists, like those by Lucas Cranach the Elder or Albrecht Dürer. [129] Joan Meutas [130] c. 1536 – c. 1543
Copy in oils of the Whitehall Mural, commissioned by Charles II, 1667. Portrait of Henry VIII is a lost painting by Hans Holbein the Younger depicting Henry VIII.It is one of the most iconic images of Henry VIII and is one of the most famous portraits of any English or British monarch.
Portrait of Thomas Cromwell is a small oil painting by the German and Swiss artist Hans Holbein the Younger, usually dated to between 1532 and 1534, when Cromwell, an English lawyer and statesman who served as chief minister to King Henry VIII of England from 1532 to 1540, was around 48 years old.
Portrait of Sir Thomas More is an oak panel painting created in 1527 by the German artist and printmaker Hans Holbein the Younger, now in the Frick Collection in New York. The portrait shows the English statesman and humanist Thomas More in three-quarter right half-profile, holding a book, in a fur-lined coat of rich fabrics, black satin, and ...
For several years the painting was in the possession of Holbein's wife, Elsbeth Binzenstock. [10] By 1543 it was in the possession of Hans Asper, a portrait painter from Zürich. [17] Asper received several offers for the painting, including from Basilius Amerbach, but refused to sell it.