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[6] In July 1883 Bernhardt led her company in Fédora as the final production in a series of French plays given at the Gaiety Theatre, London. Berton again played Loris. [7] The play was turned into an opera, Fedora, by Umberto Giordano in 1898. [8]
A fedora (/ f ə ˈ d ɔːr ə /) [1] is a hat with a soft brim and indented crown. [ 1 ] [ 2 ] It is typically creased lengthwise down the crown and "pinched" near the front on both sides. [ 3 ] Fedoras can also be creased with teardrop crowns, diamond crowns, center dents, and others, and the positioning of pinches can vary.
Fedora is an opera in three acts by Umberto Giordano to an Italian libretto by Arturo Colautti, based on the 1882 play Fédora by Victorien Sardou. Along with Andrea Chénier and Siberia , it is one of the most notable works of Giordano.
Fedora tells him she is a prisoner on the island, held captive by the elderly Polish Countess Sobryanski, her overprotective servant Miss Balfour, her chauffeur Kritos and Dr. Vando, the cosmetic surgeon responsible for keeping Fedora looking so young. Dutch attempts to help Fedora flee the island, but Kritos knocks him unconscious.
"Fedora" is a short story written by Kate Chopin in 1895. The story was published under the title "The Falling in Love of Fedora" in The Criterion, a local St. Louis magazine, on February 20, 1897. The story centers on Fedora, a woman who becomes infatuated with Young Malthers and his sister, Miss Malthers.
Fedora, a film by Billy Wilder; Fedora, an 1898 opera by Umberto Giordano; Fédora, an 1882 play by Victorien Sardou "Fedora" (short story), an 1895 short story by Kate Chopin; Fédora, one of writer Italo Calvino's fictional Invisible Cities; Fedora Tchecoff, a character from Une mort suspecte, a short story by Pierre Boulle
Fedora is a 1934 French drama film directed by Louis J. Gasnier and starring Marie Bell, Ernest Ferny and Henri Bosc. [1] It is an adaptation of the 1882 play Fédora by Victorien Sardou. [2] It was distributed by the French subsidiary of Paramount Pictures. The film's sets were designed by the art director Henri Ménessier.