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[5] [6] The most common materials used to make the jars include wood, limestone, faience, and clay, and the design was occasionally accompanied by painted on facial features, names of the deceased or the gods, and/or burial spells. Early canopic jars were placed inside a canopic chest and buried in tombs together with the sarcophagus of the ...
The papyri probably date to the 1st century AD and contain specifically information on eleven acts of anointing of the body, the wrapping and placing of internal organs, which had been treated, inside canopic jars, and the act of performing the bandaging of the embalmed corpse to create a mummy. [3] [4] [5]
The lids of canopic jars began to be sculpted in the shape of heads at the end of the First Intermediate Period, at the same time that the jars' inscriptions began to invoke the sons of Horus. These lids are therefore probably meant to represent the four sons rather than the organs' deceased owner. [ 27 ]
Any internal organs removed during the process were typically placed in canopic jars, each featuring an iconographic lid with one of the four sons of the Egyptian god Horus to protect each organ ...
Sometimes the four canopic jars were placed into a canopic chest and buried with the mummified body. A canopic chest resembled a "miniature coffin" and was intricately painted. The Ancient Egyptians believed that by burying their organs with the deceased, they may rejoin in the afterlife.
In front of Osiris are the four sons of Horus (see also canopic jars from Facsimile 1 in the JSP I) standing by, protecting the internal organs of the deceased during the judgement. Halfway down the Lilly stand, above two plant shaped wine jars are two human-headed birth bricks called Meskhenet and Shai, gods of destiny that represent the fate ...
Isis speaks in Spell 151, however. She is the guardian of Imseti, who in turn guards the canopic jar containing the liver. As well Isis is a member of the Heliopolitan cosmology's Ennead, a system of gods often extended to include Horus. [17] Book of the Dead Spell 30A appears to connect the heart with afterlife judgments, imploring:
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