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Download as PDF; Printable version; ... Aeolian mode or natural minor scale: Aeolian on C. ... The A melodic minor scale, ascending and descending, on A. ...
Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad), and is therefore not commonly referred to as a minor scale. The Hungarian minor scale is another heptatonic (7-note) scale referred to as minor. The Jazz minor scale is a name for the melodic minor scale when only the "ascending form" is ...
This is seen, for example, in melodic minor scale harmony, which is based on the seven rotations of the ascending melodic minor scale, yielding some interesting scales as shown below. The "chord" row lists tetrads that can be built from the pitches in the given mode [ 80 ] (in jazz notation , the symbol Δ is for a major seventh ).
The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [ citation needed ] , although it may be found in other types of music as well.
Many "jazz scales" are common scales drawn from Western European classical music, including the diatonic, whole-tone, octatonic (or diminished), and the modes of the ascending melodic minor. All of these scales were commonly used by late nineteenth and early twentieth-century composers such as Rimsky-Korsakov , Debussy , Ravel and Stravinsky ...
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.
It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
The Dorian ♭ 2 scale, also known as the Phrygian ♮ 6 scale, is the second mode of the jazz minor scale (or the ascending melodic minor scale). It is on the second degree of the jazz minor scale. Without the minor second above the root, the scale would just be the Dorian mode. [1]