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In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea that was first presented in 1871.
The story of Pygmalion is the subject of Jean-Philippe Rameau's 1748 opera, Pigmalion. It was also the subject of Georg Benda's 1779 monodrama, Pygmalion. Ramler's poem Pygmalion was set to music as an aria by J.C.F.Bach in 1772, and as a cantata by Friedrich Benda in 1784. Pygmalion was the subject of Gaetano Donizetti's first opera, Il ...
Pygmalion is a 1938 British film based on the 1913 George Bernard Shaw play of the same name, and adapted by him for the screen. It stars Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle .
Printable version; In other projects Wikidata item; Appearance. ... Pages in category "Films based on Pygmalion (play)" The following 14 pages are in this category ...
Falconet's 1763 sculpture Pygmalion and Galatea (Walters Art Museum, Baltimore). Galatea (/ ˌ ɡ æ l ə ˈ t iː ə /; Ancient Greek: Γαλάτεια; "she who is milk-white") [1] is the post-antiquity name popularly applied to the statue carved of ivory alabaster by Pygmalion of Cyprus, which then came to life in Greek mythology.
The story is based on the myth of Pygmalion as told in Ovid's Metamorphoses. In Rameau and Sauvot's version, the sculptor Pigmalion creates a beautiful statue to which he declares his love. In Rameau and Sauvot's version, the sculptor Pigmalion creates a beautiful statue to which he declares his love.
The Pygmalion myth had long been popular with theatrical illusionists. [3] Pygmalion and Galatea was the first film adaptation of the story; many others followed it in the silent era and beyond. [4] Méliès and Jehanne d'Alcy play the roles of Pygmalion and Galatea in the film. [5]
In 1938 the British film was released in the Netherlands as The English Pygmalion. [6] After the film's release, Director Ludwig Berger departed for America to find his luck. He wanted the first director to make an American version of the film, but Shaw refused an offer to sell the film rights to Hollywood for $200,000.