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First attested in English in the late 19th century, the Italian word timpani derives from the Latin tympanum (pl. tympana), which is the latinisation of the Greek word τύμπανον (tumpanon, pl. tumpana), 'a hand drum', [3] which in turn derives from the verb τύπτω (tuptō), meaning 'to strike, to hit'. [4]
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
Timpani: drums: Large drums Tuba: tube: A large brass instrument Viola: viola, orig. Latin vitulari "be joyful" A medium-sized stringed instrument Viola d'amore: love viola: A tenor viol with no frets Viola da braccio: arm viola: A stringed instrument held in the arm, such as a violin or viola Viola da gamba: leg viola: A stringed instrument ...
Timbal, tímpano and timpani all derive from the Latin tympănum, from the Greek týmpanon, meaning drum. (The Spanish word for drum, tambor , although similar, actually derives from Arabic tabl ). In Cuba and Latin America, timbales (timpani) were adapted into pailas , which is the name given to various Spanish metallic bowls and pans used as ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The first to use this Italian word was William Shakespeare in Macbeth. Shakespeare introduced a lot of Italian or Latin words into the English language. Assassin and assassination derive from the word hashshashin (Arabic: حشّاشين, ħashshāshīyīn, also hashishin, hashashiyyin, means Assassins), and shares its etymological roots with ...
Percussion: timpani, snare drum, bass drum, chimes, etc. Keyboard instruments: celesta, organ, piano; String instruments: harp, violins, violas, cellos, basses, frequently abbreviated to 'str', 'strs' or similar. If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score.
The version for strings and timpani was first performed in a broadcast on 1 January 1939 by the Radio Orchestra conducted by the composer, as the only recorded example of the composer interpreting one of his own works. [3] He maintained a slow tempo professionally, with "unforced rubato", [3] creating a solemn, singing string sound.