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  2. ‘The Exorcist: Believer’: What Does That [SPOILER ... - AOL

    www.aol.com/exorcist-believer-does-spoiler-cameo...

    SPOILER ALERT: This article contains spoilers for “The Exorcist: Believer,” now playing in theaters. After 50 years, “The Exorcist” franchise is back with “The Exorcist: Believer,” and ...

  3. 'The Exorcist: Believer' filmmakers reveal how they lured ...

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    'The Exorcist: Believer' filmmakers reveal how they lured Ellen Burstyn and Linda Blair back to franchise 50 years later (spoilers) Kevin Polowy. October 9, 2023 at 11:31 AM.

  4. The Exorcist: Believer - Wikipedia

    en.wikipedia.org/wiki/The_Exorcist:_Believer

    The Exorcist: Believer is a 2023 American supernatural horror film directed by David Gordon Green, who co-wrote the screenplay with Peter Sattler from a story by Scott Teems, Danny McBride, and Green. The sixth installment in The Exorcist franchise, it serves as a direct sequel to The Exorcist (1973).

  5. Movie Review: 'The Exorcist: Believer' doesn't desecrate the ...

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    "The Exorcist: Believer,” a Universal Pictures release is rated R by the Motion Picture Association for or some violent content, disturbing images, language and sexual references. Running time ...

  6. ‘The Exorcist: Believer’ review: Not today, Satan - AOL

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    Director David Gordon Green’s weirdly cautious reboot of the “Exorcist” franchise, the first of a planned trilogy, comes with the name “The Exorcist: Believer.” And we do, insofar as ...

  7. Does 'The Exorcist: Believer' Have a Post-Credits Scene? - AOL

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    The Exorcist: Believer is a direct sequel to The Exorcist, and the first installment of a brand new trilogy. Here's what to know about the end credits.

  8. Box Office: ‘The Exorcist: Believer’ Crosses Off $11.9 ...

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    Universal’s “The Exorcist: Believer” compelled audiences to the tune of an $11.9 million opening day from 3,663 locations, a number including $2.85 million in previews.

  9. The Exorcist: Believer review – Boring, self-serious and ...

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    2/5 This is a toned-down, more limply palatable iteration of William Friedkin’s 1973 classic: the projectiled pea soup is gone, the verbal abuse has been whittled down to a single ‘c***ing ...