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The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.
Michelangelo di Lodovico Buonarroti Simoni [a] (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, [b] [1] was an Italian sculptor, painter, architect, [2] and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art.
Although the painting portrays Jeremiah as lamenting over the Destruction of Jerusalem, critics [who?] have interpreted the figure as a self-portrait by Michelangelo, with the artist lamenting over the weight of his sins. Or perhaps Michelangelo is bemoaning his situation being forced by Julius II to paint when he wished to sculpt.
The composition is a novel one, with the body of Jesus typically held horizontally in paintings of the Entombment, although earlier examples with Jesus held vertically that may have influenced Michelangelo include a 1438-1440 predella to the San Marco Altarpiece by Fra Angelico, and Domenico Ghirlandaio. The upright posture of Jesus may allude ...
A number of Michelangelo's drawings from the early 1530s develop a Resurrection of Jesus. [23] Vasari, alone among contemporary sources, says that originally Michelangelo intended to paint the other end wall with a Fall of the Rebel Angels to match. [24] By April 1535 the preparation of the wall was begun, but it was over a year before painting ...
The first version, rough as it was, was asked for by Metello Vari, and given him in January 1522, for the little garden courtyard of his palazzetto near Santa Maria sopra Minerva, come suo grandissimo onore, come fosse d'oro translated as "As his greatest honor, as if it were of gold", a mark of the esteem in which Michelangelo was held".
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.