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One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
The Class I Dunnichen Stone, with Pictish symbols including the "double disc and Z-rod" at centre, and "mirror and comb" at the bottom.. The purpose and meaning of the stones are only slightly understood, and the various theories proposed for the early Class I symbol stones, those that are considered to mostly pre-date the spread of Christianity to the Picts, are essentially speculative.
Muiredach's High Cross, Monasterboice, 9th or 10th century A simpler example, Culdaff, County Donegal, Ireland. A high cross or standing cross (Irish: cros ard / ardchros, [1] Scottish Gaelic: crois àrd / àrd-chrois, Welsh: croes uchel / croes eglwysig) is a free-standing Christian cross made of stone and often richly decorated.
The Celtic Inscribed Stones Project database records over 1,200 such inscriptions, excluding Runic ones. It maintains an online database of them. [2] They relate to other standing stones with images, such as the Pictish stones of Scotland, or abstract decoration, such as the much earlier Irish Turoe Stone and Castlestrange Stone. The Tristan ...
A tall stone standing cross, usually of Celtic cross form. Decoration is abstract often with figures in carved relief, especially crucifixions, but in some cases complex multi-scene schemes. Most common in Ireland, but also in Great Britain and near continental mission centres. Pictish stone. A cross-slab—a rectangular slab of rock with a ...
The third stone is very large and defaced. Like the first stone, there is a claymore, but it lies in the center of the stone. Above the hilt are four interlaced quatrefoil knots arranged to form a circle. It has a rope-molded border as well. [7] In Glendaruel, which is in Argyleshire, four stones around the St Modan church are of note.
Trade-links with Britain and Northern Europe introduced La Tène culture and Celtic art to Ireland by about 300 BC, but while these styles later changed or disappeared elsewhere under Roman subjugation, Ireland was left alone to develop Celtic designs: notably Celtic crosses, spiral designs, and the intricate interlaced patterns of Celtic knotwork.
Margam Stones Museum is a small Victorian schoolhouse near Port Talbot, South Wales, which now provides a home for one of the most important collections of Celtic stone crosses in Britain. All originally found within the locality of Margam , and mostly assembled as a collection in the 19th century, they provide enduring testimony to a Welsh ...