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The Beowulf dragon is the earliest example in literature of the typical European dragon and first incidence of a fire-breathing dragon. [10] The Beowulf dragon is described with Old English terms such as draca (dragon), and wyrm (reptile, or serpent), and as a creature with a venomous bite. [11]
Beowulf decides to follow the dragon to its lair at Earnanæs, but only his young Swedish relative Wiglaf, whose name means "remnant of valour", [a] dares to join him. Beowulf finally slays the dragon, but is mortally wounded in the struggle. He is cremated and a burial mound by the sea is erected in his honour.
Dæghrefn – a Frankish warrior killed by Beowulf. The Dragon – beast (Old English: wyrm) that ravages Beowulf's kingdom and which Beowulf must slay at the end of the poem. It is the cause of Beowulf's death. Eadgils – a Swedish king also mentioned extensively in the Norse sagas. Eanmund – a Swedish prince, and the brother of Eadgils.
Apollonius of Rhodes, Argonautica (3rd century BC): the dragon guarding the golden fleece (Book 2), and the dragon whose teeth can be sown like seed to make an army grow (Book 3). [ 1 ] Pseudo-Apollodorus, Bibliotheca (after 1st century BC): the sea monster Perseus slays to rescue Andromeda, and the dragon guarding the apples of the Hesperides ...
Beowulf fights the dragon, wielding Næġling. Næġling ( Old English: [ˈnæjliŋɡ] ) is the name of one of the swords used by Beowulf in the Anglo-Saxon epic poem of Beowulf . The name derives from "næġl", or "nail", and may correspond to Nagelring , a sword from the Vilkina saga .
The social taunter [non sequitur] has many roles, as has been stated by Thalia Phillies Feldman in her article, "The Taunter in Ancient Epic: The Iliad, Odyssey, Aeneid, and Beowulf". In a society of kings and warriors, the social taunter acts as the spokesman of the court, revealer of truths, means of social control, and provocateur.
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
Vincent Hammond portrayed Grendel in Graham Baker's film Beowulf (1999). Among the artistic liberties taken in this version set in a post-apocalyptic future, Grendel is depicted as an armored creature with jagged fangs and clawed hands and feet, and he's stated to be the son of Hrothgar and he is shown to be capable of rendering himself partially invisible in a Predator-like manner.