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Evita is the soundtrack album to the 1996 musical film of the same name, performed mostly by American singer Madonna.It was released by Warner Bros. Records on October 28, 1996 in the United Kingdom [1] and on November 12, 1996, in the United States.
Evita is a musical with music by Andrew Lloyd Webber and lyrics by Tim Rice. It concentrates on the life of Argentine political leader, activist and actress Eva Perón, the second wife of Argentine president Juan Perón. The story follows Evita's early life, rise to power, charity work, and death.
"Don't Cry for Me Argentina" is a song recorded by Julie Covington for the 1976 concept album Evita, later included in the 1978 musical of the same name. The song was written and composed by Andrew Lloyd Webber and Tim Rice while they were researching the life of Argentine leader Eva Perón.
Pages in category "Songs from Evita" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. A.
"You Must Love Me" is a song recorded by American singer and songwriter Madonna. It was written by Andrew Lloyd Webber and Tim Rice, for the 1996 film adaptation of the musical, Evita, based on the life of Argentinian leader Eva Perón. The song was released on October 21, 1996, by Warner Bros. as the lead single from the film's soundtrack.
A new ad released Tuesday by The Lincoln Project re-imagines the iconic balcony scene depicting Argentina’s former First Lady Eva Perón in the Andrew Lloyd Weber musical “Evita” with an ...
"Oh What a Circus" is a song from the 1976 musical Evita, which had lyrics by Tim Rice and music by Andrew Lloyd Webber. It was recorded by English singer David Essex and released as a single on August 19, 1978, by Mercury Records. Essex played the character of Che in the original London production of the musical, and the song is sung from his ...
After the first single from the Evita album, "Don't Cry for Me Argentina", achieved commercial success, "Another Suitcase in Another Hall" was released as the second single on 7 February 1977. [3] A reviewer from Melody Maker complimented the song, saying that without the context of Evita, the song was more acceptable and was "poignant and ...