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The duo descend into a sewer drain, where the creature supposedly lives, and find several encampments. When a man covered in a black slime-like liquid approaches them, they attempt to flee but are captured by similar people, who take them deeper into the sewers.
The album's cover depicts a white boy listening to rap music in the midst of a home invasion in which Blacks are attacking Whites (presumably the boy's parents). Sire Records, owned by Time Warner, refused to release the album with the cover, and Ice-T left the label as a result. [110] KMD – Black Bastards (2000)
The sleeve of the 1987 12-inch "Don't Get Mad... Get Even! (The New York Remixes)" was selected as one of Q's "100 Best Record Covers of All Time" in 2001. [6] Their work for Age of Chance led to further record sleeve work for Krush and Pop Will Eat Itself, for whom tDR bastardised the Pepsi logo to form the band's visual identity. [7]
Nas is regarded as one of the greatest rappers of all time. [23]Hip hop dominated popular music in the early 2000s. [24] [25] Artists such as Eminem, Outkast, Black Eyed Peas, T.I., 50 Cent, Kanye West, Nelly, Common, Nas, Jay-Z, Busta Rhymes, Puff Daddy, Snoop Dogg, Missy Elliott, M.I.A., Lil' Kim, Gorillaz, Jeezy, Lil Wayne, Timbaland, The Game, Cam'ron and Ludacris were among the dominant ...
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Some songs are pastiches of an overall genre of music, rather than a specific band (for example, country music with "Good Enough For Now", charity records with "Don't Download This Song" and college fight songs with "Sports Song"). Yankovic stated that he does not have any unreleased original songs, instead coming up and committing to the song ...
Reflecting on the decade's musical developments in Christgau's Consumer Guide: Albums of the '90s (2000), music critic Robert Christgau said the 1990s were "richly chaotic, unknowable", and "highly subject to vagaries of individual preference", yet "conducive to some manageable degree of general comprehension and enjoyment by any rock and roller."
As the decade progressed, a growing trend in the music industry was to promote songs to radio without the release of a commercially available singles in an attempt by record companies to boost albums sales. Because such a release was required to chart on the Hot 100, many popular songs that were hits on top 40 radio never made it onto the chart.