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Highest-grossing directors worldwide [1]; Rank Name Worldwide box office Highest-grossing film 1 Steven Spielberg: $10,753,945,763 $1,114,456,337 (Jurassic Park) 2 James Cameron
Three of the four highest-grossing films, including Avatar at the top, were written and directed by James Cameron.. With a worldwide box-office gross of over $2.9 billion, Avatar is proclaimed to be the "highest-grossing" film, but such claims usually refer to theatrical revenues only and do not take into account home video and television income, which can form a significant portion of a film ...
[1] [2] The chart is ranked by lifetime gross, and for comparison, the figures adjusted for the effects of inflation are also listed, using the U.S. consumer price index; [4] a film's earnings from its initial release are also included to provide a basis for comparison between films released around the same time.
Jamie Babbit; Héctor Babenco; Lloyd Bacon; Clarence G. Badger; John Badham; Bae Yong-Kyun; Cindy Baer; Prince Bagdasarian; King Baggot; Nadeem Baig; Prano Bailey-Bond
Rank Name Highest-grossing film Total worldwide box office 1 Kevin Feige: Avengers: Endgame ($2.798 billion) $31.164 billion 2 David Heyman: Barbie ($1.446 billion) $13.992 billion 3 Kathleen Kennedy: Star Wars: The Force Awakens ($2.068 billion) $13.283 billion 4 Jerry Bruckheimer: Top Gun: Maverick ($1.489 billion) $12.276 billion 5 Neal H ...
ranked No. 36 in the Western Writers of America's list of the top 100 Western songs of all time, as compiled from a survey of its members; [4] not included in movie. October 6 Kid Galahad "King of the Whole Wide World" Elvis Presley Bob Roberts, Ruth Bachelor 30 released as an EP: October 27 Girls! Girls! Girls! "Return to Sender" Elvis Presley
Pages in category "Director filmographies" The following 200 pages are in this category, out of approximately 222 total. This list may not reflect recent changes .
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. [1]