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Etruscan vase paintings were produced from the 7th through the 4th centuries BC, and is a major element in Etruscan art. It was strongly influenced by Greek vase painting , followed the main trends in style, especially those of Athens , over the period, but lagging behind by some decades.
The high-relief of the "Tarquinia Winged Horses" is a fragment of the colonnade that supported the pediment of the most important temple of the ancient Etruscan city of Tarquínia, at the Ara della Regina, better known as the Major Temple of Tarquínia. Nowadays situated at the Province of Viterbo (region of Lazio, Italy). [1] [2]
Etruscan black-figure hydria, early 5th century BC. The local production of Etruscan vases probably began in the 7th century BC. Initially, the vases followed examples of black-figure vase painting from Corinth and East Greece. It is assumed that in the earliest phase, vases were produced mainly by immigrants from Greece.
The tomb paintings conforming to this style consisted of two elements. First, they depicted architectural details of an open pavilion, which would have been erected near the tomb to host the funeral banquet. Second, they depicted the funeral celebrations of the Etruscans. The artists aimed to recreate the view of the celebrations from the pavilion.
Etruscan sculpture was one of the most important artistic expressions of the Etruscan people, who inhabited the regions of Northern Italy and Central Italy between about the 9th century BC and the 1st century BC. Etruscan art was largely a derivation of Greek art, although developed with many characteristics of its own. [1]
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