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Media in category "Spiritual and religious images" The following 2 files are in this category, out of 2 total. Christian-Trinity-vs-Quran.png 391 × 600; 24 KB.
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
9th century Byzantine mosaic of the Hagia Sophia showing the image of the Virgin and Child, one of the first post-iconoclastic mosaics. It is set against the original golden background of the 6th century. Religious art is a visual representation of religious ideologies
The Cone Nebula, sometimes referred to as the Jesus Christ Nebula because of its resemblance to the popular depictions of Jesus with his hands in a prayer position.. People have been found to perceive images with spiritual or religious themes or import, sometimes called iconoplasms or simulacra, in the shapes of natural phenomena.
Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
In many contexts "cult image" specifically means the most important image in a temple, kept in an inner space, as opposed to what may be many other images decorating the temple. The term idol is an image or representation of a god used as an object of worship, [1] [2] [3] while idolatry is the worship of an "idol" as though it were God. [4] [5] [6]
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.