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Reading Colm Tóibín. Dublin: Liffey Press, 2008, ISBN 978-1-905785-41-4; Educational Media Solutions, 'Reading Ireland, Contemporary Irish Writers in the Context of Place', 2012, Films Media Group; Max, D. T. (20 September 2021). "Secrets and Lies: Colm Tóibín Is a Great Talker—Yet His Novels Are Full of People Who Cannot Speak Their Minds".
Colm Tobin is an Irish screenwriter and television producer known for his work on Irish Pictorial Weekly, Langerland.TV, Science Fiction, [1] and Brain Freeze. [2]
House of Names is a 2017 novel by Colm Tóibín, retelling the legend of the Oresteia, with divine elements largely removed and including a lengthy account of Orestes' absence after the death of Agamemnon. There are three narrators: Clytemnestra, Orestes, and Electra. The novel received mixed to positive reviews. [1] [2] [3] [4]
The Testament of Mary is a play written by Colm Tóibín, based on his 2012 novella of the same name and 2011 play Testament.The play is a solo performance depicting "the mother of Jesus [who] tells her story of her son’s Crucifixion" and questions his death and divinity. [1]
O'Toole later said he was "just staggered": "It was obvious from the first twenty pages Colm was an artist." [ 2 ] Tóibín's view on The South decades later was: "If you look at it, you see that the sentence structure is more or less taken from Didion ."
The Blackwater Lightship is a 1999 novel written by Irish novelist Colm Tóibín.It was shortlisted for the Booker Prize.. Tóibín conceived the book while traveling in Spain and, as he did not have access to a typewriter, bought a pen and notebook, which prompted his return to writing in longhand.
Colm Tóibín’s Brooklyn is a controlled, understated novel, devoid of outright passion or contrivance, but alive with authentic detail, moved along by the ripples of affection and doubt that shape any life: a novel that offers the reader serious pleasure."
The Master depicts the American-born writer Henry James in the final years of the 19th century. The eleven chapters of the novel are labelled from January 1895 to October 1899 and follow the writer from his failure in the London theatre, with the play Guy Domville, to his seclusion in the town of Rye, East Sussex, where in the following years he rapidly produced several masterpieces.