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Stan Laurel and Oliver Hardy, circa 1938. Laurel and Hardy were primarily comedy film actors. However, many of their films featured songs, and some are considered as musicals in their own right. The composer Leroy Shield scored most of Laurel and Hardy sound shorts although they were often misattributed to Marvin Hatley. [1]
Laurel and Hardy in the 1939 film The Flying Deuces. Their 1929 release Big Business is by far the most critically acclaimed of the silents. [67] Laurel and Hardy are Christmas tree salesmen who are drawn into a classic tit-for-tat battle, with a character played by James Finlayson, that eventually destroys his house and their car. [68]
The song was featured in Laurel and Hardy's 1937 film Way Out West. It was performed by Laurel and Hardy [5] with The Avalon Boys and featured a section sung in deep bass by Chill Wills, lip-synced by Stan Laurel in the film, [6] with the last two lines in falsetto (sung by Rosina Lawrence) after Ollie hit Stan on the head with a mallet. [7]
The tune was originally written as score for a prison schoolroom scene in Pardon Us, Laurel & Hardy's first feature film as a team. [2] Shield, a musical director hired by the Roach studio on loan from RCA Victor, had been requested by Hal Roach to also write a theme for Our Gang while he was scoring Pardon Us, and when Roach came to check on progress for the theme, Shield submitted the ...
Lobby card for The Rogue Song featuring Oliver Hardy and Stan Laurel. There were eight comic episodes throughout the film in which Laurel and Hardy appeared. One of these has survived on film. In this scene, there is a storm and a tent is blown away revealing Stan and Oliver. They try to sleep without any cover. A bear enters a cave.
"Honolulu Baby" is a song written by Marvin Hatley for the 1933 Laurel and Hardy film Sons of the Desert. [1] [2] Ty Parvis performed the song in the film, which is later performed by Oliver Hardy. [3] [4]
The film includes two well-known songs: firstly Macdonald and Carroll's "Trail of the Lonesome Pine", sung by Laurel and Hardy (except for a few lines by Chill Wills and Rosina Lawrence, lip-synched for comedic effect by Laurel), and secondly J. Leubrie Hill's "At the Ball, That's All", sung by the Avalon Boys and accompanied by Laurel and ...
His work in Laurel and Hardy's films Way Out West and Block-Heads earned him nominations for the Academy Award for Best Original Score. [3] In 1939, Hatley was fired from the Roach studio. At the insistence of Stan Laurel, however, he did return to score one final Laurel & Hardy film, Saps at Sea. Hatley went on to become a lounge pianist, and ...