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Leon Battista Alberti (Italian: [leˈom batˈtista alˈbɛrti]; 14 February 1404 – 25 April 1472) was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths.
De re aedificatoria (On the Art of Building) is a classic architectural treatise written by Leon Battista Alberti between 1443 and 1452. [1] Although largely dependent on Vitruvius 's De architectura , it was the first theoretical book on the subject written in the Italian Renaissance , and in 1485 it became the first printed book on architecture.
Leon Battista Alberti: Former church of San Pancrazio: 1375–1470: Leon Battista Alberti and others: Palazzo Medici Riccardi: 1444–1469: Michelozzo: Basilica of Santissima Annuziata and convent: 1444–1476: Michelozzo and others: Palazzo Rucellai: 1446–1451: Leon Battista Alberti and Bernardo Rossellino: Church of Santo Spirito: 1446 ...
It is one of the major works of 15th-century Renaissance architecture in Northern Italy. Commissioned by Ludovico III Gonzaga, the church was begun in 1472 according to designs by Leon Battista Alberti on a site occupied by a Benedictine monastery, of which the bell tower (1414) remains. The building, however, was only finished 328 years later.
Figure from the 1804 edition of Della picture showing the vanishing point Rendition of Alberti's description of how a circle projected as an ellipse Figure showing pillars in perspective on a grid. De pictura (English: "On Painting") is a treatise or commentarii written by the Italian humanist and artist Leon Battista Alberti. The first version ...
That post-1461 dating raises once more the question of authorship. Based upon the word of Giorgio Vasari and some other mid-to-late-16th century comments as well as upon Giovanni Rucellai's known use of Leon Battista Alberti as the architect of his chapel in the neighboring church of San Pancrazio and for the completion of the facade of Santa Maria Novella, the great humanist scholar and ...
Alberti had also designed the façade for the Rucellai Palace in Florence. Alberti attempted to bring the ideals of humanist architecture, proportion and classically inspired detailing to bear on the design, while also creating harmony with the already existing medieval part of the façade.
Doorway of the Malatesta Temple by Leon Battista Alberti. The cathedral's nave, with crucifix in the apse veiled for Passiontide.. The Tempio Malatestiano (Italian: Malatesta Temple) is the unfinished cathedral church of Rimini, Italy.