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The Jazz Age was a period in the 1920s and 30s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz. Originating in New Orleans as mainly sourced from the culture of African Americans, jazz played a significant part in wider ...
In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [ 5 ] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [ 5 ]
1930s in jazz. Swing jazz emerged as a dominant form in American music, in which some virtuoso soloists became as famous as the band leaders. Key figures in developing the "big" jazz band included bandleaders and arrangers Count Basie, Cab Calloway, Jimmy and Tommy Dorsey, Duke Ellington, Benny Goodman, Fletcher Henderson, Earl Hines, Glenn ...
The use of clave brought the African timeline, or key pattern, into jazz. Music organized around key patterns convey a two-celled (binary) structure, which is a complex level of African cross-rhythm. [150] Within the context of jazz, however, harmony is the primary referent, not rhythm.
ISBN 1-904041-96-5. The swing era (also frequently referred to as the big band era) was the period (1933–1947) when big band swing music was the most popular music in the United States, especially for teenagers. Though this was its most popular period, the music had actually been around since the late 1920s and early 1930s, being played by ...
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.
Allowing jazz to rise up in American culture brought many unique things to music in 1920. New instrumental, orchestral, and rhythmic techniques were introduced, as well as twelve-bar blues, emotional expressiveness, a new scale, and unique forms (Murchison 98). In 1917, many jazz record companies began to conceal their identity because racial ...
The first jazz artist to be given some liberty in choosing his material was Louis Armstrong, whose band helped popularize many of the early standards in the 1920s and 1930s. [5] Some compositions written by jazz artists have endured as standards, including Fats Waller's "Honeysuckle Rose" and "Ain't Misbehavin'".