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In Japanese mythology, the Seven Lucky gods or Seven gods of Fortune (七福神, shichifukujin in Japanese) are believed to grant good luck and are often represented in netsuke and in artworks. One of the seven (Jurōjin) is said to be based on a historical figure. They all began as remote and impersonal gods, but gradually became much closer ...
Kōjin (三宝荒神), is the god of fire, the hearth, and the kitchen. Konjin (金神) Kotoshironushi (事代主神) Kuebiko (久延毘古), the god of knowledge and agriculture, represented in Japanese mythology as a scarecrow who cannot walk but has comprehensive awareness. Kukunochi, believed to be the ancestor of trees.
The maneki-neko (招き猫, lit. 'beckoning cat') is a common Japanese figurine which is often believed to bring good luck to the owner. In modern times, they are usually made of ceramic or plastic. The figurine depicts a cat, traditionally a calico Japanese Bobtail, with a paw raised in a beckoning gesture. The figurines are often displayed in ...
Tamlyn Tomita, a second generation Japanese-American , was born January 27, 1966, [2] on a U.S. military base in Okinawa and grew up in Los Angeles. [3] [4] [5] Her Japanese-American father was in an internment camp during World War II. [4] [3] He met her mother while stationed in Okinawa between the Korean and Vietnam Wars. [5]
Ebisu (mythology) Ebisu (えびす, 恵比須, 恵比寿, 夷, 戎), also transliterated Webisu (ゑびす, see historical kana orthography) or called Hiruko (蛭子) or Kotoshiro-nushi-no-kami (事代主神), is the Japanese god of fishermen and luck. He is one of the Seven Gods of Fortune (七福神, Shichifukujin), and the only one of the ...
The Japanese share superstitions with other Asian cultures, particularly the Chinese, with whom they share significant historical and cultural ties. The unluckiness of the number four is one such example, as the Japanese word for "four" 四 romaji: shi is a homophone for "death" kanji: 死. The same is true for Chinese, hanzi: 死 pinyin: sǐ ...
Ryōgen (left), 18th chief abbot (zasu) of Enryaku-ji. The omikuji sequence historically commonly used in Japanese Buddhist temples, consisting of one hundred prophetic five-character quatrains, is traditionally attributed to the Heian period Tendai monk Ryōgen (912–985), posthumously known as Jie Daishi (慈恵大師) or more popularly, Ganzan Daishi (元三大師), and is thus called ...
Hanakotoba. Hanakotoba (花言葉) is the Japanese form of the language of flowers. The language was meant to convey emotion and communicate directly to the recipient or viewer without needing the use of words.