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Stigmata. Stigmata (Ancient Greek: στίγματα, plural of στίγμα stigma, 'mark, spot, brand'), in Catholicism, are bodily wounds, scars and pain which appear in locations corresponding to the crucifixion wounds of Jesus Christ: the hands, wrists, feet, near the heart, the head (from the crown of thorns), and back (from carrying the ...
Stigma, originally referring to the visible marking of people considered inferior, has evolved in modern society into a social concept that applies to different groups or individuals based on certain characteristics such as culture, gender, race, religion or health status. Social stigma can take different forms and depends on the specific time ...
Louise Lateau (born 29 January 1850 at Bois-d'Haine, in Belgium, died on 25 August 1883 at Bois-d'Haine) was a mystic and stigmatist. [1] The case of Louise Lateau is one of the best documented of those who received the stigmata. She was famous in the 1860s because of her mystical trances and between 1868 and 1883 she was observed by many ...
Church figures who claimed to have experienced the stigmata wounds, including Padre Pio and Pope Francis’ namesake, St. Francis of Assisi, have inspired millions of Catholics even if decisions ...
Stigma (botany) Diagram showing the stigma-style-ovary system of the female reproductive organ of a plant. The stigma is fixed to the apex of the style, a narrow upward extension of the ovary. The stigma (pl.: stigmas or stigmata) [1] is the receptive tip of a carpel, or of several fused carpels, in the gynoecium of a flower.
Website. stigmatines.com. The Stigmatines, officially named the Congregation of the Sacred Stigmata (Latin: Congregatio a Sanctis Stigmatibus), is a Catholic clerical religious congregation of Pontifical Right for men (Priests and Brothers). The Stigmatine Congregation was founded on November 4, 1816 by Gaspar Bertoni, in Verona, Italy. [1]
Saint Francis Receiving the Stigmata. (van Eyck) Saint Francis of Assisi Receiving the Stigmata is the name given to two unsigned paintings completed around 1428–1432 that art historians usually attribute to the Flemish artist Jan van Eyck. The panels are nearly identical, apart from a considerable difference in size.
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.