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The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man[2],: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the first ...
In the first of the pictures, one of the most widely recognized images in the history of painting, Michelangelo shows God reaching out to touch Adam. Vasari describes Adam as "a figure whose beauty, pose, and contours are of such a quality that he seems newly created by his Supreme and First Creator rather than by the brush and design of a mere ...
Gesture drawing. A gesture drawing is a laying in of the action, form, and pose of a model/figure. Typical situations involve an artist drawing a series of poses taken by a model in a short amount of time, often as little as 10 seconds, or as long as 5 minutes. Gesture drawing is often performed as a warm-up for a life drawing session, but is a ...
Gallerie dell'Accademia, Venice. The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his ...
Louvre, Paris. Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. [1] The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations.
The Death of Socrates (French: La Mort de Socrate) is an oil on canvas painted by French painter Jacques-Louis David in 1787. The painting was part of the neoclassical style, popular in the 1780s, that depicted subjects from the Classical age, in this case the story of the execution of Socrates as told by Plato in his Phaedo. [1]
A. Aerial perspective by Frans Koppelaar, Landscape near Bologna, 2001; distant objects are lighter, of lower contrast, and bluer than nearer objects. Airbrushing technique. Aerial perspective technique. Acrylic painting techniques. Aging (artwork) technique. Aquatint. Assemblage (art) technique. Animation (digital art)