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The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art).
Detail from Botticelli's most famous work, [4] The Birth of Venus (c. 1484–1486) Alessandro di Mariano di Vanni Filipepi (c. 1445 [1] – May 17, 1510), better known as Sandro Botticelli (/ ˌ b ɒ t ɪ ˈ tʃ ɛ l i / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance.
Venus Anadyomene[1] (Greek: Ἀναδυόμενη, "Venus, Rising from the Sea") is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's Natural History, [2] with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the ...
Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs.
Aphrodite Anadyomene ("Aphrodite Rising from the Sea"), showing the goddess rising from the sea (not the painting he was working on when he died, but an earlier painting), for which Pliny the Elder relates the tradition he used a former mistress of Alexander, Campaspe, as his model for Aphrodite.
Location. Uffizi, Florence. Primavera (Italian pronunciation: [primaˈvɛːra], meaning "Spring") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the ...
The Greek painter Apelles of Kos, a contemporary of Praxiteles, produced the panel painting Aphrodite Anadyomene (Aphrodite Rising from the Sea). [265] According to Athenaeus, Apelles was inspired to paint the painting after watching the courtesan Phryne take off her clothes, untie her hair, and bathe naked in the sea at Eleusis. [265]
Medium. Oil on canvas. Dimensions. 75.8 cm × 57.6 cm (29.8 in × 22.7 in) Location. Scottish National Gallery, Edinburgh. Venus Anadyomene is an oil painting by Titian, dating to around 1520. It depicts Venus rising from the sea and wringing her hair, with a shell visible at the bottom left, taken from a description of Venus by Greek poet ...