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A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
The violin and cello play col legno battuto; the violin plays col legno tratto in double stops; all the instruments play col legno tratto ponticello, double stops; violin and viola play col legno tratto ponticello in double stops, which are also played tremolo (Boyden 2001; Schoenberg 1950, 1–5, 14, 18–19)
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed.
D/F♯ slash chord Play ⓘ. Guitars and bass guitars have more standard tunings, depending on the number of strings an instrument has. six-string guitar (the most common configuration) – E 2 A 2 D 3 G 3 B 3 E 4 (ascending perfect fourths, with an exception between G and B, which is a major third). Low E falls a major third above the C on a ...
In bar 12 there is an added non-chord tone, the G-sharp that adds color and intensity to the tonic harmony. Motive 2 appears returning multiple times in measures 19, 21, 28, 31, and 33. The B 1 section starts on measure 14 and ends in bar 22 followed by a transition to B 2 in measure 23. There is another motive that Barber composed that is only ...
Pas de Deux is a double concerto for violin, cello, and orchestra by the American composer James Horner.The work was commissioned by the Norwegian brother/sister musical duo of the violinist Mari Samuelsen and the cellist Håkon Samuelsen with contributions from the A. Wilhelmsen Foundation. [1]
Concerto No. 1 for quarter-tone violin and orchestra (1963) [19] Concerto No. 2 for quarter-tone violin and orchestra (1964) [19] Mass for Pope John XXIII for male chorus in quarter-tones (1920s) [19] Preludio a Colón for vocalizing soprano, octavina (modified bass guitar, in 8th tones), flute, 16th-tone harp, violin, and guitar (1922) [19]