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The primary characteristics of early English glass are deep rich colours, particularly deep blues and ruby reds, often with a streaky and uneven colour, which adds to their appeal; their mosaic quality, being composed of an assembly of small pieces; the importance of the iron work, which becomes part of the design; and the simple and bold style of the painting of faces and details.
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
Between about 1225–1230, a new style began to appear in the Ile-de-France and other regions, which was seen in architecture, sculpture and painting as well as stained glass. It was more graphic, more summary, with simplified forms, presented rigid stylisation of faces while the robes and clothing became more realistic.
The term stained glass is also applied enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the engineering skills to assemble the piece. A window must fit snugly into the ...
Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1] A stone wall may be decorated with such a pattern sculpted in relief ; in brickwork the effect may be achieved by using bricks of different colours, or by allowing certain bricks to protrude from ...
Opalescent glass. The term "opalescent glass" is commonly used to describe glass where more than one color is present, being fused during the manufacture, as against flashed glass in which two colors may be laminated, or silver stained glass where a solution of silver nitrate is superficially applied, turning red glass to orange and blue glass to green.
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.
Keith New (3 September 1925-14 February 2012) was a stained glass artist and craftsman during his early career and a well-regarded teacher and landscape painter in later life. [1] [3] After studying at the Royal College of Art (RCA) [2] New returned there, heading the RCA Stained